
Cooper, for all of his being known at the time for his Western and frontier movie roles (which he got at the beginning of his career due largely to his riding and other outdoors skills from growing up on a ranch in Montana, though he and his brother were also sent later as teens to a boarding school in England for several years before he came home to attend college), certainly did not come from a poor or un-schooled family and for all the roles that required him to say “M’am” to actresses such as Dietrich, was very well read, was a trained artist and was, in his own way, as concerned about his appearance and the message it sent as Cary Grant was (though for different reasons). And he was seen at the time as a guy who dressed well and who cared about it (which at the time was no big deal; everyone dressed as well as they could afford to at the time; ‘clothes make the man’ was something everyone believed). The photo above was shot while he was touring in Australia entertaining US troops during WWII (which is why I can use it copyright free – it’s courtesy of State Library of Queensland) and he’s signing an autograph for a military fan.
If you look closely at the photo you will notice that the collar on his shirt is, to our eyes, quite long (the standard at the time was between 3″ and 4″ for collar points and men chose their collar length based on how tall they were). And though this photo does not show it, collars and cuffs at that time were quite soft (in relation to what had come before in terms of removable collars which were very stiff, either because they had been starched or made of celluloid). I asked my ‘men’s shirt and interfacing expert,” Pam Erny of Fashion Sewing Supply about this and she was quite clear on this. At the time, this was pre-fusible interfacings and shirt makers either used self-fabric (that is, they used the same sort of fabric that the shirt had been made of) or they used a similar weight of shrunk muslin or other fabric to back up the collar, cuffs and placket. At this time, it was pretty standard for men’s shirts to be starched as either part of the washing process or in the pressing process so having a fabric interfacing that would behave pretty much as the outside layers would in the washing the pressing was probably seen as the right way to go. This would change later with inventions such as ‘Sanforize'(tm) and other fabric labor-saving treatments; at that point, resin-based interfacings came into being basically to replace having to separately starch collars, cuffs and plackets.
But, as usual, I digress. Back to Mr. Cooper, a soft collared shirt and making a new shirt for the DH (who goodness knows has been patiently waiting for me to make HIM something for a change). A couple of years ago, I bought some wool challis on the internet. Now, the moment I saw this fabric, it reminded me strongly of the sorts of printed shirts that you can see in photos from the 1930s and 1940s for men. Men’s clothing in that period actually was far less conservative than it is today and men’s shirts were actually available in far more colors and fabrications than they are now. Additionally, since at that time central heating was not as widespread (nor were buildings and homes insulated very much at all), wool came in far more weights, weaves, knits and fabrications than we find today and people were used to wearing wool in pieces of clothing that we don’t often see today (for example, Viyella was a very famous and valued brand for both men’s and women’s shirts, blouses and dresses and this was a combination of wool and cotton).
But, back to the challis.
The pattern is one from McCalls from 1977. 
At this point, I will close here because I will be using Pam Erny’s recommendation for interfacing for this to give it the right look, a sew in product that I am getting from her but which has not arrived yet (I’m haunting the post box). Once I get that, we’ll be able to take this project forward.
Onward!!



Though the style will be of the period, men would not have had access to that print, which is merry and modern. So DH will have the best of both worlds, as well as a shirt that fits impeccably. Lucky guy!
In northern Michigan in the 1950s and 60s, Dad wore Viyella shirts and then a Pendleton shirt jacket on top of that, then turned the thermostat way down.
Duchesse – I remember my mother just drooling over Viyella and mumbling about trying to find Viyella fabric to make us dresses since they would be warmer than the usual.