Yesterday, the DH, The Boy and I went to the Metropolitan Museum of Art to view this exhibit Art of the Samurai
and cram in whatever else we could from the museum at the time (which was not much – one of these days, we’re going to take a weekday off and go – my claustrophobia was on high alert). We also had some errands to run (me down in the Garment District, the DH in a couple of other places. I had a shopping list and knew that the places I was going had what I wanted; he came home empty handed. Research helps). So, even with the subways, we had a lot of walking to do.
The temperature in New York was hovering in the 20s and the wind was fierce with occasional snow flurries. I don’t have the official statistics, but it was in the ‘OMG, my face is being flayed off’ range. Today, it’s 18 degrees with a wind chill of 2 degrees, which I actually think is worse than what we got yesterday.
BUT – the coat came through like a trooper. Even with the high winds and cold, I was toasty warm outside on the sections where we had to walk for blocks and blocks (and there were several of those) – I was wearing a cotton knit turtleneck and a lightweight long sleeved wool sweater, heavy tights and slacks. I could not wear that coat inside of course (and the coat check room at the museum was overflowing out the hall) and had to carry it around (which made things sort of onerous because that coat weighs a LOT). So, I feel thoroughly justified in 1) making the coat longer than knee length, 2) interlining it with the shrunken wool flannel and 3) using the heavy-duty flannelized coat lining.
(image at the top courtesy of the Metropolitan Museum of Art)
So, here I am, all full of myself because I have this brand new coat that I made ‘awwww by myself’ (don’t wanna be…all by…). A dog with two tails and all that.
Like all great projects, when it’s done, there’s a little bit of a feeling of let down. So, let’s go through the details to review:
There’s a certain point in making a coat where you can switch gears and work on something else with the garment, an entirely separate part of the project. That is the lining. And I think in general, sewists view making the lining in a sort of ‘ho-hum, let’s get this over with, after thought’ sort of way.
Sometimes, when Aunt Toby is considering a new sewing project, it really behooves me to actually think out the issues of ‘what am I trying to do here” and “what’s the end result” before I buy fabric. I realize most of us who sew have advanced cases of ‘stashaholism’ and could lay our mitts on at least one piece of fabric to make something at any given moment. One of the problems with buying fabric off the internet
For a lot of home sewers, making a coat takes on this aspect of climbing Mt. Everest: Too big, too hard, can’t possibly do this. Fear of ‘the coat’ is a very big deal.
Victory belongs to the most persevering.
So, what can we do about this armscye issue? Well, I’m no good at redrafting patterns. I admit that and hope someday to ameliorate that situation. But I’ve used a particular technique several times and it does work. As you can see, the underarm seam is just too low. But how low IS it? I need to find out where my armpit actually is in comparison to the sleeve seams here on both the front and the back.